DOC WÖR MIRRAN feat. Re-Drum & Sascha Stadlmeier – 24​.​3​.​16.

DOC WÖR MIRRAN feat. Re-Drum & Sascha Stadlmeier – 24​.​3​.​16.
limited hand-numbered edition of 300 copies on transparent vinyl
 
Personel:
Stefan Schweiger – teramine, percussion
Michael Wurzer – synths
Joseph B. Raimond – guitar & bass, graphics, mixing
Sascha Stadlmeier – guitar, bass, objects, effects, cover layout, inlay graphics
Pavel Aleshin – electronics, objects
Adrian Gormley – graphics
 
Recorded 24.3.2016 at Two Car Garage Studios, Fürth, Germany
 
This is DWM release # 148
Dedicated to Heather Heyer
As always, in loving memory of Frank Abendroth and Tom Murphy
DWM: Spitzwiesenstr. 50, 90765 Fürth, Germany
empty@empty.de

frontrear Kopie

 

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mёrtwaya priroda – beyond machine

mёrtwaya priroda – beyond machine
download

https://kalpamantra.bandcamp.com/album/beyond-machine

Re-Drum: voice & effects
EMERGE: voice & effects

re-dr-um.bandcamp.com
immerge.bandcamp

live @ re:flexions ° k15, Augsburg, 27.05.17
recording, mastering, photography and design by EMERGE

check out aswell our collaboration with Al Margolis/If, Bwana:
https://immerge.bandcamp.com/album/beyond-the-sea

 

Keller/Stadlmeier – transient behaviour

Keller/Stadlmeier – transient behaviour
free download
 
 
Beat Keller: guitar, effects
Sascha Stadlmeier: guitar, effects
 
attenuation effect ° 1012 ° 2017
live @ re:flexions – silent series, Ganze Bäckerei, Augsburg, 02.09.17
recording, mastering, photography and design by EMERGE
 
 
BEAT KELLER:
Guitarist, multi-instrumentalist, composer and bandleader based in Winterthur, Switzerland.
After graduating as a jazz guitarist from the Zurich School of Music and Drama (Hochschule für Musik und Theater Zürich), Beat Keller obtained a Master of Arts in composition from the Lucerne School of Music (Musikhochschule Luzern).
Among his current projects are Keller’s 10, Gunfire Orchestra (CH/NO/SA), Bowee.Keller (CH), Peckinpah Trio (CH/USA), Beat Keller, Darius Ciuata (CH/LIT) and Tilo Weber’s Animate Repose (DE).
 
His compositions have been played and recorded by NDR Bigband, Lucerne Jazz Orchestra, Ballbreaker Ensemble, Composer’s Group Ensemble, Keller’s 10 and the Haiku String Trio.
Beat Keller has played concerts at renowned festivals in Switzerland, in neighbouring Europe, the United States and on the African continent.
Record releases on: Unit Records, Alpinechic (both CH), Edition Wandelweiser Records, Attenuation Circuit, Shoebill Records (all DE), Silken Tofu (BE), Plus Timbre (GR) and others.
 
 
 
more releases by Beat Keller on attenuation circuit:

SONOMETER feat. Gus Ring – sonora

SONOMETER feat. Gus Ring – sonora
free download

https://emerge.bandcamp.com/album/sonora

live @ k15, Augsburg, 18.08.17

SRVTR: electronics, paintings
EMERGE: electronics, bass, objects, recording, mastering, design
Gus Ring: voice, effects

srvtr.bandcamp.com 
immerge.bandcamp.com 
gusringsounds.bandcamp.com

SONOMETER is a collaboration project of Gildas Brugaro aka SRVTR (Rennes) and Sascha Stadlmeier aka EMERGE (Augsburg).
It’s based on source sounds by SRVTR reworked by EMERGE first and then reworked by SRVTR again and so on. All further treatments used mostly the method of recycling without adding any new sounds. Apart from their current solo works, which are more in the vein of dark techno (SRVTR) and abstract musique concrète (EMERGE), SONOMETER’s music evokes dark atmospheres consistent of rough ambient noise.

Inspired by the alternative rockband scene and the simplicity of singer-songwriters, Gus Ring creates his own mix of acoustic folk and lo-fi… more

more albums by SONOMETER on attenuation circuit:
immerge.bandcamp.com/album/sonor

 

EMERGE – narcoses

EMERGE – narcoses
factory-pressed CD in cardboard sleeve (ltd.ed. 100 copies)
download

https://emerge.bandcamp.com/album/narcoses

live @ re:flexions ° k15, Augsburg, 07.07.17
photography by MARTAVICTOR (martavictor.design)
recording, mastering and design by EMERGE
immerge.bandcamp.com

Starting with an almost imperceptibly slow pulsation in the deepest depths of the subsonic, this 40-minute composition works its way through rhythmic parts texturised by glitches and crackles. This release, which brings together the various musical approaches EMERGE has developed over the last few years, at times feels like an unlikely hybrid between sound sculpting in the vein of Bernard Parmegiani’s musique concrète and ‘hauntological’ dubstep atmospheres.

This live recording is perhaps the most rhythm-based release by Sascha Stadlmeier (aka EMERGE) since his earliest musical outings under his Dependenz moniker around the year 2000. Rhythm here not only means that abstract sounds are looped into beats, in various registers from the treble to the really deep bass. The whole macrostructure of the piece is rhythmic because it is punctuated by (sometimes rather long) silences. This is markedly different from many of EMERGE’s more textural, “dark ambient” pieces of the past, which were based on layered and ever-shifting drones. It literally gives the listener pause to think and follow their own train of thoughts while never losing the focus on the sounds themselves. This results in an atmospheric quality that is both dream-like and lucid, unhurried and full of suspense. In the excellent sense of timing and dramaturgy of “narcoses”, one feels the wide experience in free improvisation that Stadlmeier has acquired since his last full-length EMERGE release by playing in all sorts of improv formations.

File under: Musique concrète, electroacoustic music, dark ambient

ESZSE – Li​(​e​)​berTaten

ESZSE – Li​(​e​)​berTaten
free download
 
 
live for Die Lange Nacht der Freiheit
@ Kunstverein im Holbeinhaus, Augsburg, 24.06.17
 
Eric Zwang-Eriksson: percussion
Sascha Stadlmeier: samples, live-processing
 
editioneazy.de
emergeac.wordpress.com
 
attenuation effect ° 1011 ° 2017
photography by Dan Penschuck (feindesign.de)
recording, editing, pre-mastering and logo by Zwang-Eriksson
final mastering and design by EMERGE
 
Das auditive Projekt Li(e)berTaten beinhaltet Ausschnitte verschiedenster berühmter Reden zum Thema Freiheit, die aleatorisch auf die gesamte Länge der Performance verteilt sind und somit zufällig aufeinander treffen.
Li(e)berTaten ist eine auditive Reise in die (späte) Geschichte des Kampfes um die Freiheit. Hier wird Vergangenes auf zeitgenössische Weise in die Gegenwart transportiert, wird erlebbar und zeigt gleichermaßen auf, wie aktuell die einst angesprochenen Themen nach wie vor sind.
 
 
Eric Z. Eriksson
1979 erste aktive, musikalische Betätigung als Schlagzeuger in Bereichen der populären Musik. 1986 fünfjährige, intensive Auseinandersetzung mit dem Jazz. 1992 die Hinwendung zur Neuen Musik, Avant-Jazz und experimenteller Musik. Theater- und Filmarbeiten. Eigene Kompositionen loten die Möglichkeiten strukturierter Improvisation aus. Start des „Quadrophonium“-Zyklus. Unterricht bei dem walisischen Komponisten
Dafydd Llywelyn. Erweiterung des Instrumentariums um
Gebrauchsgegenstände (Ready Mades). 1998 verstärkte Auseinandersetzung mit der „musique concrète“. Erweiterung des Instrumentariums um Sampler und präparierte Tonträger. Arbeiten in Zusammenhang mit Wort und Film.
2006 Start der interdisziplinären Reihe “Multisensual”.
Eric Z. Eriksson lebt und arbeitet als Musiker und audiovisueller
Künstler in Augsburg.
 
 
Sascha Stadlmeier mit seinem Hauptprojekt EMERGE lehnt sich an die minimalistischen Traditionen des Experimentalismus und der nicht-akademischen Geräuschmusik an. Der Fokus liegt auf der Generierung von Klanggebilden, die frei interpretierbare Atmosphären an die Oberfläche holen sollen. Die Auswahl der verwendeten Klangquellen ist meist sehr eingeschränkt und die ursprünglichen Klänge selbst durch diverse Verfremdungen höchstens rudimentär erkennbar. Oft wird auch Basismaterial von diversen Künstlern/Musikern verwendet und recycelt.
Unter seinem bürgerlichen Namen hat sich Sascha Stadlmeier voll und ganz der freien Improvisation verschrieben. Hierbei verwendet er meistt elektrische Gitarre und elektrischen Bass. Diese werden jedoch nicht im klassischen Sinne gespielt, sondern dienen vielmehr als Klangquelle zur Erzeugung verschiedener Sounds, welche wiederum durch diverse elektronische Hilfsmittel verfremdet werden.
 
Zudem betreibt Sascha Stadlmeier das Augsburger Label attenuation circuit und organisiert Konzerte für zumeist experimentelle Musik in Augsburg.