Gerald Fiebig / EMERGE / Limited Liability Sounds

Gerald Fiebig / EMERGE / Limited Liability Sounds – FIEBIG / EMERGE / LLS
factory-produced CDr in cardboard sleeve, ltd.ed. 100 copies

  1. Limited Liability Sounds & EMERGE – live @ La Pointe Lafayette, Paris, 14.02.18 21:30
  2. Gerald Fiebig & EMERGE – live @ Bastion, Bochum, 22.08.18 34:40

photography by Dan Penschuck (
Butjatha „Kaiserstuhl“, Dangast
recording, mastering and design by EMERGE

thanks to Max, Moana & Daniel

Ambient and free improvisation are a great match. Purists of each of these genres may disagree But the label programme of attenuation circuit has proven time and again that deeply atmospheric music can be co-created in spontaneous interaction. The work of label head Sascha Stadlmeier aka EMERGE is a case in point. His extensive touring in the past decade has led to numerous live collaborations that have also found their way into the label’s releases.

This new album, too, consists of two live sets in which EMERGE was involved, recorded a few months apart in 2018. The first of the two tracks is a collaboration with Polish project Limited Liability Sounds, recorded in Paris. The second, recorded in Bochum (Germany), is a collaboration with Gerald Fiebig, with whom EMERGE already played some of his earliest collaborative shows years ago in the early 2010s. A comparison with EMERGE and Fiebig’s earlier collaborative releases such as “compound”, recorded in 2011, shows what a long way they have come in terms of both their individual musical strategies and their approach to instant composition.

Both tracks on this album are remarkably consistent – rather than just two live recordings packaged together, this is an album with a common compositional “theme”. Both tracks explore the merging and contrasting of extended, laminar, harmonic sounds and rhythmic samples. Found sounds and field recordings play a role in the compositions, but not as referents of the “real”. Instead, they are given a rather psychedelic treatment, opening up dreamscapes that are sometimes (perhaps deceptively?) tranquil, sometimes ominous – but never monotonous. This mix makes for stimulating music that might open its listeners‘ minds to the diversity, and ambiguity, of the world.

File under: drone, ambient, free improvisation, psychedelic

Wilfried Hanrath & Occupied Head & Sascha Stadlmeier- live @ re​​​:​​​flexions sound​​​-​​​art festival

Wilfried Hanrath & Occupied Head & Sascha Stadlmeier- live @ re​​​:​​​flexions sound​​​-​​​art festival
free download

Wilfried Hanrath: bass, fx
Occupied Head: nanomite, kalimba, synths
Sascha Stadlmeier: violin, electronics

live @ abraxas, Augsburg, 04.07.20
thanks to Gerald Fiebig
recording and pre-mastering by Occupied Head
final mastering, photography and design by EMERGE

2020 festival compilations:

Bu.d.d.A. – abandoned places tour 2020

09.10. D-Offenbach: Waggon am Kulturgleis
10.10. D-Karlsruhe: P8
with Black Annis X Brnjsmin
15.10. D-Hamburg: Mikropol
with Vermin
16.10. D-Kiel: Leiser Lärm @ Galerie ONspace
with Das Unpreetzise Klang-Labor
17.10. D-Chemnitz: private gig
18.10. D-Dresden: Club Debil @ Alte Feuerwache Loschwitz
also b°tong / EMERGE
21.10. D-Mönchengladbach: Projekt42 with LADR ACHE
25.10. D-Berlin: Just Another Bruital Night vol. III @ Petersburg Art Space

Bu.d.d.A. – „Bund des dritten Auges“ is a fairly new project involving experimental musicians Sascha Stadlmeier (EMERGE, attenuation circuit) and Chris Sigdell (Leaden Fumes (ex-Phased), b°tong) and which plays meditative ambient drones. Sometimes they play with a guest musician, and sometimes not.For those who need names, it may sound like Troum meets Earth together with Eno… but in reality Bu.d.d.A. builds on the legacy of German industrial band NID (1995-2005), who Chris was a member of, and which released a post-humous CD on Auf Abwegen (Asmus Tietchens, etc.).

step ꝏ

today my new sound-installation for the loop30 series „step ꝏ“ has been opened.

@ Kulturhaus abraxas, Augsburg

it will run til around late October this year

the installation consists of the original field-recordings made at the Dachau Concentration Camp memorial site which I used for my new album „steps“.

thanks to Gerald Fiebig !

more info here:

„steps“ can be streamed and purchased (digital and CD) here:

EMERGE – steps

EMERGE – steps
factory-pressed CD in Digisleeve

„steps“ is an audiovisual project by EMERGE & EaZy

EaZy: photography
EMERGE: field recordings, composition, design

video teaser:

“steps” is composed exclusively from field recordings made at the Dachau Concentration Camp memorial site.

What is it that we’re hearing? Is it the wind? Is it the sea? Is it the crackle of a burning fire? Where are we? A great sense of loneliness pervades the quiet setting which we cannot quite make out. And then suddenly living creatures enter the sonic scene. Birds and people, their voices and their steps. They seem to be walking, walking past us, towards a destination we do not know. We cannot understand in what language or languages they are speaking – or can we? It is hard to make out, because everything they say is strangely muffled, although they are not speaking in a low voice. Everything we hear feels either too loud or too quiet, too close or too distant. As if some shock had happened to our hearing before we started listening to this album. Like a bomb exploding in close proximity to our ears. Or something so unimaginably terrible that it bent the acoustic space in the place from which these sounds come through to us. This is how the album “steps” begins.

The album “steps” is composed exclusively from field recordings made at the Dachau Concentration Camp memorial site. It is not possible to represent the horrors of concentration camps in music, and – a lesson learned from the many failures in the history of “industrial music” – the attempt to do so will inevitably result in trivialising kitsch, at best. Therefore, the album “steps” does not claim to be an album “about” a concentration camp, it is an album about a memorial site. Like the modern-day classic on the subject, “Gurs. Drancy. Gare de Bobigny. Auschwitz. Birkenau. Chelmo-Kulmhof. Majdaneck. Sobibor. Treblinka” by Stéphane Garin & Sylvestre Gobart (2011), “steps” goes to show to what extent contextual information about the sonic subject matter of a piece influences our listening. This artistic strategy can also be read in political terms: Only if we know the history behind these sounds – and the history of the place where they were recorded – are we able to make sense of the present.

For part 2, EMERGE invited sound artists from all over Europe to give their characteristic processing to the original audio field recordings. The resulting audio fragments are fed into the performance, symbolising a peaceful, solidary encounter of cultures – in deliberate contrast to the fact that people from many European countries were brought together in the Dachau concentration camp by utmost force.

File under: electroacoustic music, field recordings

steps 2 consists entirely of reworked field recordings by:

autonomaton (BG)
Claus Poulsen (DK)
Satori (GB)
Dabit Vocem Austria (AT)
Freiband (NL)
Sofia Bertomeu (ES)
Limited Liability Sounds (PL)
Herr Penschuck (DE)
b°tong (SE)
Anja Kreysing (DE)
Federico Dal Pozzo (IT)
Toni Dimitrov (MK)


steps 1steps 2steps 3steps 4Steps 1 - Dropping D

Bu.d.d.A. feat. PAAK & Dieter Mauson – glucksandreife

Bu.d.d.A. feat. PAAK & Dieter Mauson
– glucksandreife
free download

Bu.d.d.A. & Occupied Head (Dieter Mauson) will perform on
re:flexions / sound-art festival 2020
in Augsburg on July 4th

Bu.d.d.A. are:
Sascha Stadlmeier – violin, effects
Chris Sigdell – editing, mix

Peter Kastner – voice, accordion, noises
Dieter Mauson – electronics

recorded for Radio Gagarin
thanks to Thomas Beck !

photos & design by EMERGE

more releases by Bu.d.d.A.:


Bassenger Medwed Stadlmeier – distanz stillstand überwindung

Bassenger Medwed Stadlmeier – distanz stillstand überwindung
factory-pressed CD in cardboard sleeve, ltd.ed. 100 copies

The Bassenger – bass, voc
Gilbert Medwed – drums, synthesis, sound design, noise, recording, mastering
Sascha Stadlmeier – guitar, bass, objects, samples, design

live @ KunstbeTrieb, Wien, 14.05.19
thanks to Wolfgang Dokulil

photography by Dan Penschuck (

Bassenger - Medwed - Stadlmeier_frontBassenger - Medwed - Stadlmeier_rearBassenger - Medwed - Stadlmeier_CD_bandcamp

Doc Wör Mirran featuring Stadlmeier / De Waard / Gormley – Hominine parts 1 to 3

Doc Wör Mirran featuring Stadlmeier / De Waard / Gormley – Hominine parts 1 to 3
factory-pressed CD in cardboard sleeve, ltd.ed. 100 copies

Adrian Gormley – sax, plastic bottle
Sascha Stadlmeier – samples, bass, ekelele, objects, voice, effects, insert
Frans De Waard – radio, cassettes, electronics
Stefan Schweiger – samples, teramine, percussion
Joseph B. Raimond – guitar, synthesiser, loops, ink drawings
Michael Wurzer – synthesiser

Recorded December 3rd, 2017 at Two Car Garage Studios, Fürth Germany.
All cover art by Joseph B. Raimond from the Hominine series of ink drawings, 2019.

As always, in loving memory of Frank Abendroth and Tom Murphy.
This recording is dedicated to Gary Duncan

This is DWM release # 168

Doc Wör Mirran:
Spitzwiesenstr. 50
90765 Fürth

For their release # 168, Northern Bavaria based experimental legends Doc Wör Mirran have invited their longtime transatlantic friend and repeated co-conspirator Adrian Gormley as well as prolific experimental underground friends and colleagues Frans de Waard and Sascha Stadlmeier. While the core Doc Wör Mirran line-up fulfills the rather typical roles of a band, with instruments such as guitars, percussion, and synthesisers, Stadlmeier and de Waard add lots of textural details using taped and digital samples, sound effects, radio noises, and heavily processed voice. However, throughout the best part of the release, it is Gormley’s saxophone that guides us on our way through their collective soundscape.

At times lyrical, at times plaintive, sometimes melodic, sometimes weaving itself into the overall tapestry of sounds, the saxophone proves itself capable of bridging the gap between a melody-based and the more sound-based musical approach followed by most of the players here. Some of the best moments of this three-part album that was culled from one single live session happen when the saxophone interplays with percussive noises from plastic bottles and all sorts of other sounding devices, as well as spaced-out guitars and a theremin. The album gets darker and denser from part to part, ending up as a sort of industrial lounge jazz for a David Lynch movie.

File under: Ambient, psychedelic, free improvisation

DWM-Hominine 1-3_cover_frontDWM-Hominine 1-3_cover_rearDWM-Hominine 1-3_inlay_frontDWM-Hominine 1-3_inlay_rear


limited edition cassette
Silver-gray home dubbed tape with riso printed cover

Music – Anja Kreysing + Sascha Stadlmeier
Recording – Anja Kreysing
Master – EMERGE
Foto – Tim Greifelt
Artwork + Print –

Thanks to Tim, Guiguisuisui, Georg, Trstn, Tim + Julius.

released by Grisaille


more music by Kreysing/Stadlmeier: